Raat Akeli Hai: The Bansal Murders (2025)
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Inspector Jatil Yadav, walks back into the darkness, older, worn, and even more intuitive than before, and with the same tenacity to get to the core of truth. When members of the Bansal family are found murdered, Inspector Jatil Yadav uncovers a trail of greed, betrayal and secrets tied to a deadly conspiracy.
Sister Midnight (2025)
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Uma arrives at her new husband Gopal’s home in Mumbai under the cover of darkness. However, it’s many minutes into Karan Kandhari’s Sister Midnight before they–or she–exchange any words. Thrust into an arranged marriage with a man she’d only met a handful of times, Uma’s adrift in a sea of domestic expectations. She can’t cook or keep a house, earning her scorn from her nosy neighbors. Moreover, others blame Uma and Gopal’s mutual awkwardness around each other solely on her. If Uma wasn’t complaining or standing up for herself, instead being wholly servile to her husband’s every whims–he might be more interested in her and they’d fit in more with the neighborhood.
Saali Mohabbat (2025)
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Smita, a reserved housewife in a village called Furstagadh, whose world implodes after a double murder. The film weaves events from Smita’s past into a narrative of the present, where another woman, Kavita (implied to be narrating or connected), narrates Smita’s story, blurring the past and present within Smita’s own marital problems.
Sister Midnight (2025)
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A newly arranged marriage sees an oddball couple shoved together in a small Mumbai shack with paper-thin walls. They are alone, awkward and together. Cranky Uma does her best to cope with the heat, her complete lack of domestic skills, nosy neighbors and her bumbling spouse until one night she discovers strange new feral cravings.
Sister Midnight (2024)
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Uma, a headstrong small-town woman, moves to Mumbai after an arranged marriage but feels out of place. Restless and trapped, she undergoes a wild transformation that breaks society’s rules.
Merry Christmas (2024)
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On Christmas Eve, an uneventful day turns the world of two people upside down.
Lust Stories (2018)
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Four short films by four of India's biggest directors exploring love, sex and relationships in modern India.
Vikram Vedha (2022)
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A tough police officer sets out to track down and kill an equally tough gangster.
Mrs Undercover (2023)
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A simple Indian housewife who is in fact a special undercover agent is called back on the job after 10 years of being undercover to take down a terrifying, psycho killer while maintaining her parallel life of a housewife.
Forensic (2022)
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‘Forensic’ is an edge-of-the-seat thriller where little girls begin to disappear, and their bodies are found soon in the town of Mussoorie. Police officer Megha and forensic officer Johnny join hands to nab the killer.
Lust Stories (2018)
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Four short films by four of India's biggest directors exploring love, sex and relationships in modern India.
Thunder (Lion) (2020)
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Bose coming back to life after staying in a coma for eighteen months. As soon as he recovers, Bose is suddenly mistaken as Godse by everyone around him. Bose keeps convincing all of them that he is not Godse and has his own story.
Ghoul (2018)
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A prisoner arrives at a remote military interrogation centre and turns the tables on his interrogators, exposing their most shameful secrets.
Raat Akeli Hai (2020)
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The film follows a small town cop who is summoned to investigate the death of a politician which gets complicated by the victim’s secretive family and his own conflicted heart.
Bombairiya (2019)
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It follows the story of Meghna, who gets embroiled in a series of events after her phone gets stolen.